Deep Listening

Dear Reader,

This post is about something you have quite possibly never heard of: podcasts.  As in broadcasts for the iPod.  My first experience with podcasts was way back in 2004.  Podcasts were a fairly new iTunes genre, but I loved radio shows on NPR and audiobooks, so the podcast offered a familiar and simultaneously unique form – almost like a weekly magazine but free. My favorite: Pottercast, a podcast dedicated to rehashing everything in the Harry Potter lexicon and speculating on how the series might end.  One of my favorite episodes featured an interview with Matthew Lewis – he played Neville Longbottom in the movie franchise.

And now you’ve seen my nerd card. Photo on 4-29-16 at 10.33 AM

For some reason, despite the moderate success of standout programs like This American Life, podcasts didn’t really take off at first. They remained kind of a fringe form of media: low-budget, low-interest.  Eventually, the Harry Potter book series came to a close, and I stopped listening to Pottercast and all other podcasts for a while. While the iPod itself is now virtually extinct, podcasts have hung in there, playing to a small audience week after week.

But then came a little podcast called Serial from the producers of This American Life.  Season 1 of Serial hit the airwaves like a lightning bolt.  If you have any curiosity about podcasts at all, download this podcast immediately and start listening.  The well-produced series also presented a compelling mystery told by skilled storyteller and former crime reporter Sarah Koenig. Serial is the story of a closed case that feels pretty unresolved – the 1999 murder of a high school student from nearby Woodlawn, Maryland named Hae Min Lee.  Lee’s ex-boyfriend Adnan Syed was convicted of the crime, but the facts and circumstances made his conviction, well, un-convincing.  (An aside: Syed won an appeal for a new trial and the Maryland Court of Special Appeals is currently weighing the state’s appeal of that ruling for a new trial.  Justice is not just blind but painfully slow and bureaucratic.) Whereas This American Life had always focused on telling several bite-sized stories on the same theme in a single episode, Serial took a new approach.  Koenig unfolded the story a little bit more week by week; Serial not only held listeners in rapt attention but spawned other true-crime podcasts in its wake, including Undisclosed, Truth & Justice, and Accused.  This year the producers of Serial kept the ball rolling with a new podcast, S-Town, that presented something like a southern-gothic murder-mystery. No spoilers here, but the story takes a dramatic, strange turn that left me thinking, “What am I listening to?!” – yet I couldn’t turn it off. The new format of S-Town and Netflix-style dropping of all episodes at once pushed the genre in a new direction again.

The Podcast Renaissance is going strong, and I am in awe of how many truly exceptional programs are being produced. Podcasts have transformed my commute, my workout, and my yardwork – I can’t wait to immerse myself in these episodes.  When I can’t sleep, I reach for my headphones- usually a bad idea because I get engrossed in the story and don’t want to sleep, but it’s better than the 2am television waste land. Search the iTunes charts, and you’ll find some truly esoteric stuff. There’s also some pretty mainstream stuff. Pottercast still exists, in case you’re wondering – they have a new episode up once or twice a month.fullsizeoutput_ce0

Of all the truly wonderful podcasts on the charts, I would like to focus on two of them for you that I am obsessed with right now: Ear Hustle and Revisionist History.

Revisionist History features Malcolm Gladwell, celebrated cultural critic and author of books such as Blink and The Tipping Point.  I love the premise of his podcast: that some things we take for granted as settled history deserve a closer look.  He takes on a wide range of historical and social issues, from Winston Churchill to country music to the educational system.  Gladwell always takes an angle that I am not expecting, and I truly do learn something every time I listen to it.  My only criticism of the podcast is that Gladwell sometimes goes too quickly for an oversimplification of complicated problems – maybe this is part of the limitation of a 30-minute conversation, or maybe he just really believes in Occam’s Razor.  A good example of this is in the Season One episode called “Food Fight” about wealthy private colleges Bowdoin and Vassar. He starts by comparing the dining options at the colleges and then progresses to a discussion of the efforts each college makes (or doesn’t make) to offer better access to low-income students.  His general point is that because Vassar has cut back on dining options and student amenities, they are able to admit more low-income students.  I asked a former student of mine who happened to attend Vassar during the time Gladwell recorded that episode, and she pushes back on his summation that basic options are the burden that more fortunate students must bear in order to increase opportunities for low-income students.  She pointed out that the college still spends plenty of money on non-student related amenities, such as champagne-rich faculty parties, new houses for administrators, and purchasing some rare, expensive golden bird for their art collection.  My student shared that Vassar made this acquisition at the same time they were preaching austerity to students, saying they’d have to cut back on providing access to basic health items such as sanitary products. So yeah, not just about food. But even though his food for students argument is a bit reductive, Gladwell does raise an interesting point about how colleges choose to use their money – and this applies to all colleges and universities, not just Vassar and Bowdoin. It makes me think harder about how my own college spends its resources.

In addition to Gladwell’s program, another real standout for me is the new podcast called Ear Hustle.  If you read Piper Kerman’s book Orange is the New Black or have seen the sensationalized series on Netflix by the same name, you probably have some notions and also some questions about life for the incarcerated. Ear Hustle is set in San Quentin State Prison and produced by two prisoners, Earlonne Woods & Antwan Williams, and a local

ear hustle
The Ear Hustle Crew (l-r) Williams, Poor, & Woods (Photo from Rolling Stone)
artist, Nigel Poor. To “Ear Hustle” means to eavesdrop – thus the podcast is what it is like to listen in on what actually happens in prison.  One of my favorite episodes is called “Cellies” – about the pitfalls and politics of choosing and enduring a cellmate. That’s right – sometimes you have a say in who your cellmate might be, and the decision is pretty complicated. The episode called “SHU” explores the effects of long-term solitary confinement in Pelican Bay where SHU inmates are held.  SHU stands for Security Housing Unit, and it is absolutely the loneliest place on earth. Woods himself spent a year in SHU and can personally speak to the way it altered him.  His stint was nothing compared to other men who contribute to this episode – some of them spent decades in the SHU before getting released.  Fortunately, due to a 2013 inmate hunger strike, the prison changed its policy and no longer commits prisoners to the SHU indefinitely; the maximum time there is five years – which is still an awfully long time to spend with no human interaction and no chance to breathe fresh air or feel the sun.

Ear Hustle does not pull any punches and does not romanticize the plight of the inmate.  The inmates are not portrayed as animals or as completely reformed saints, but as flawed men who feel the weight of what they’ve done and who face the consequences of their choices daily. The self-awareness of the inmates is disarming and somewhat unexpected.  The goal of the project, I think, is simply to lift the veil so we can better understand these men – not to pity them, but to humanize them. Our criminal justice system needs desperate reform, and perhaps seeing prisoners as people – not numbers, not problems – is a good first step in that process. So the podcast is not just entertainment, but a subtle exercise in activism.

The great thing about a podcast is that it allows for deep, extended listening.  I have always loved listening to things – it probably goes back to when I was a kid and used to listen to baseball games on the radio with my grandfather.  Too often, it seems to me that we do what I like to call resistant listening – especially when it is something that challenges us or that goes against things we already think or believe.  We don’t listen to understand – we listen in order to respond – because we live in a contentious, litigious society where everyone wants to have the last or loudest word about things. Podcasts are helping me become a better listener and by extension a better thinker about a variety of subjects – some things I never thought I’d be interested in.  Because of podcasts, I really think about the criminal justice system, I really think about how my brain works, I really think about my biases and how to be more aware of them.  Podcasts inspire research, questions, and conversations. From politics to pop culture, true crime to television, there really is something for everyone. And more than that, we can all stand to become better listeners.

In addition to the ones I have already mentioned throughout this post, here are a few podcasts that I highly recommend (all available through iTunes):

And I’m always looking for more.  If you are already a podcast lover, tell me: what are you listening to?

 

© Ryna May 2017

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Let Freedom Ring

Dear Reader,

I apologize for missing my First Friday deadline – the first week of classes has me playing catch up, but here we go! Better late than never.

So, I have watched with interest as the controversy around Colin Kaepernick has unfolded.  For those who have not heard, the NFL quarterback has decided to sit during the playing of the national anthem, thereby exercising his right to peacefully protest.  He is doing this to continue to call attention to the reality that people of color are subjected to injustice on a daily basis.  Because of his protest, he has been called a traitor, his jersey has been burned, and people have called him a hypocrite because he happens to make money as a football player.

A couple of things come to mind here:

1. “The Star Spangled Banner” is the national anthem, and I come from a proud military family.  When I hear the anthem, I stop. I face the flag. I legitimately contemplate the sacrifice of our military – tears come to my eyes.  That’s just who I am. I feel respect and pride.  It is my first amendment right to feel that way. Okay.

2. But, I live near Baltimore.  I attend games at Camden Yards.  Fans yell “O” when we get to the part of the verse that goes, “Oh, say does that Star Spangled Banner yet wave….” – some fans yelled “O” during the Olympic medal ceremony when Michael Phelps was on the podium during the Rio Olympics last month.  He laughed.  Both shouting “O” and laughing during the anthem could be considered disrespectful, no? I missed the outrage on that, but I did see that Gabby Douglas got hammered for not putting her hand over her heart when she was on the podium. Hmm….

3. Did you know that Francis Scott Key’s song has multiple verses?  We only sing the first one.  In the third verse we find these troubling lines: “No refuge could save the hireling and slave / From the terror of flight or the gloom of the grave”   Well.

I could go on, but I think the main point is emphasized by US Soccer star Megan Rapinoe, a gay woman, who has also decided to silently and peacefully protest by kneeling during the anthem. The point, and it is an important one, is this: as great as this country is, and as much as we embrace the belief that we are all created equal and deserve equal rights and equal protections, the reality is that this equality is not reality – it is an ideal.  For minorities, including immigrants, people of color, and LGBTQ citizens of this country, life is different.  If you have never experienced inequality, I am happy for you.  I know personally that my wife and I sometimes hesitate before holding hands or showing affection in public – even though Maryland is one of the more progressive states in America.  There is always the nagging fear that someone will take exception to our existence and act aggressively about it. We had to wait a few years after we were sure we wanted to be married to legally be allowed to get married in our home state while somewhere in Alabama, Arkansas, Alaska, Connecticut, and many other states, sixteen-year old heterosexuals were allowed to exchange vows with full support of the American government.

The First Amendment guarantees freedom of speech and freedom of expression. That is exactly what the patriots of the Boston Tea Party demonstrated when they dumped the tea in the harbor to show their displeasure over taxes.  It’s what empowered Martin Luther King Jr. to lead the marches against the unequal treatment of African-Americans in the mid-twentieth century.  Freedom of expression allowed Vietnam War protestors to speak out in the 60’s.  It’s the same freedom of expression that allows the Westboro Baptist Church to show up at military funerals and voice their opinions.  It’s the freedom to say that you disagree.  No matter your politics, it’s the freedom that we all have.

To quote Aaron Sorkin (via the film The American President), “America isn’t easy. America is advanced citizenship.  You’ve got to want it bad. ‘Cause it’s gonna put up a fight. It’s gonna say, ‘You want free speech? Let’s see you acknowledge a man whose words make your blood boil, who’s standing center stage and advocating at the top of his lungs for that which you would spend a lifetime opposing at the top of yours.  You want to claim this land as the land of the free? Then the symbol of your country cannot just be a flag [or an anthem for that matter], the symbol also has to be one of its citizens exercising his right to burn that flag [or sit during that anthem] in protest.’ Now show me that, defend that, celebrate that in your classrooms. Then you can stand up and sing about the land of the free.”

In my ethics class this week, we used this issue as an icebreaker.  What I am happy with is how thoughtfully my students considered this question.  They have, at a young age, embraced a nuanced view of the world and the reality that we can reasonably disagree without casting each other in the roles of patriot or traitor.  As someone who believes that the purpose of education is to produce compassionate, independent-minded, informed, and empathetic citizens, this gives me a lot of hope.

Free speech does not just mean that we only celebrate or protect those who agree with us.  Free speech is bigger than you or me or our opinions.  If you think Kaepernick and Rapinoe are wrong for exercising their right to peacefully demonstrate freedom of expression, you have totally missed the point. It does not disrespect the military.  It does not disrespect America. When I stand for the anthem, I celebrate the very freedom that allows them to sit or kneel in protest. That is what freedom really means. You can disagree, but your disagreement does not make them wrong. Let Freedom Ring.

© Ryna May 2016

Monuments

“Sonnet 98” – William Shakespeare

From you have I been absent in the spring,

When proud-pied April, dressed in all his trim,

Hath put a spirit of youth in everything,

That heavy Saturn laughed and leaped with him.

Yet nor the lays of birds, nor the sweet smell

Of different flowers in odour and in hue,

Could make me any summer’s story tell,

Or from their proud lap pluck them where they grew:

Nor did I wonder at the lily’s white,

Nor praise the deep vermilion in the rose;

They were but sweet, but figures of delight

Drawn after you, – you pattern of all those.

Yet seem’d it winter still, and, you away,

As with your shadow I with these did play.

Dear Reader,

Poetry or Baseball: an impossible choice to make for this April post. So I decided not to choose. In honor of National Poetry Month, baseball season, and the fact that I am an avid baseball fan, this post is dedicated to things I love in equal measure: baseball and poetry. I have missed baseball. Even though I play with its shadows all year ‘round (the Hot Stove season, filled with trade rumors and free agent watching, has plenty of intrigue to keep me going), there is nothing quite like watching actual games. Bring on the peanuts, Cracker Jacks, hot dogs, and beer! My soul is trapped in winter without my Bronx Bombers. (Yes, if somehow you missed it, I am a Yankees fan.  You are allowed to despise me now.)

The New York Yankees are the most storied franchise in the history of sports.  Even if you hate them (which many of you do), you have to grudgingly admit that the Yankees have set the standard for excellence in team sports.  Here is a bit of trivia: did you know that Yankee Stadium was the first baseball venue in the United States to be called a stadium? Not a park or a yard or a field.  A stadium. Yankee Stadium opened in 1923, closed in 2008, re-opened in 2009, and the name has never been changed. It has never been sold to be PNC or M&T Stadium. The word stadium means the same in Greek and Roman languages – it is a unit of measurement. It was also used to describe a tiered structure with seats for spectators surrounding an ancient Greek running track. And perhaps, more interestingly, the word means a stage in a life history.

The Yankees have won 27 world championships. No other franchise in any other sport comes close to that. The Yankees also boast so many great players – players who haunt the history of the game like Ruth, Gehrig, DiMaggio, Mantle, Berra, Mattingly, Jackson, Rivera, and yes, even Derek Jeter.  Someone recently wrote about all of the numbers that have been retired by the Yankees.  Pretty soon, they could run out of eligible jersey numbers, as Jeter’s number 2 will surely never be worn by anyone in pinstripes ever again.  In fact, no one will ever wear the numbers 1-10 again for the Yankees. That is unprecedented, but not unreasonable given the players we’re talking about here. The true greats are honored with plaques in Monument Park, a sort of mini-hall of fame for Yankees legends. The plaques reside now in a special hall enclosed in the new Yankee Stadium that opened in 2009. The purpose of a monument is that it stands to commemorate historical significance or importance: in this case, the greatest players of the greatest team. I visited Monument Park the first time I visited the old stadium in 2006.

monument park
Monument Park next to the plaque of my favorite player growing up: Don Mattingly (“Donnie Baseball”)

In old Yankee Stadium, Monument Park used to be in the middle of left field. Before the stadium was remodeled in the 1970s, the monuments were even in play – quite a hazard for the left-fielders to navigate. The monuments were approximately 460 feet from home plate, so it wasn’t everyday that a ball would get lost out there, but it did happen. Eventually, Monument Park was moved beyond the left-field fence, and for any true baseball fan, a visit to Monument Park is a pilgrimage worth making. My first visit to Monument Park got me thinking about my brother – we were both big fans of baseball. Someone recently asked me about my brother because I referred to him as I was telling a story about our youth. The friend I was speaking to didn’t know I had a brother because I seldom do refer to him.  That is not because I don’t love him or think of him, but because he died 22 years ago.

I have told this story before. I first brought this story to Journal Club in 2001.  But now that I am blogging, I will tell it again because I want the record to show this story. It is kind of an origin story for me.  It is also a tribute to my brother, Bryan.  In “Sonnet 18,” Shakespeare wrote, “So long lives this and this gives life to thee.” He was talking about how his sonnet was a monument to the person he loved. Just like the Yankees have Monument Park to commemorate their great players, in the stadium of my mind, this story about Bryan stands to honor him. You know how in the movie Field of Dreams, they say: “If you build it, he will come?”  Yes, I thought: “If I write this, he will be remembered.”  Though I have worked on this story for many years trying, without success, to perfect it, the title has never changed.  I thought I’d share the very first version of it I ever wrote because somehow it seems the purest.

“Seasons of Perfection”

I have grown to love baseball because every boy always told me that I couldn’t play it.  There’s a secret here that boys don’t want girls to know: they can play it, and they can be a lot better than the boys are.  My brother Bryan and I played baseball together in little league.  He didn’t want me to play because I was a year younger than he was, and way better, and oh yeah, I’m a girl.  So my mom thought it would be a good idea if we played on different teams – he for the McMinn County Reds and me for the McMinn County Astros.  In high school Bryan worked hard at it, and soon baseball was my brother’s best sport – it was the only sport that he was better at than me, and just barely.  In his senior year of high school, he got on base every single time that he came to the plate – not all hits, but still: a perfect season.  I really admired that, but I never told him.  It’s against the code of sibling rivalry to congratulate one another for anything at all – a stupid code I now think.  It’s not the only thing I never praised him for.  There is a litany of silences that I regret now in the way that you can only regret things you will never get to do.   After my brother died in 1993, my mother asked me if there were any of his things that I wanted.  Of all his things, the only thing I really wanted to take was his baseball jersey.  The way that I remember him now in this jersey, in his life, is spotless.  It’s a trick of the memory to clothe people in their best possible robes after they are gone, like a jersey worn in a season of perfection.

bryan's jersey
Bryan’s jersey from his senior season

When I was seven, our father took us to a minor league baseball game to see the Chattanooga Lookouts play.  They are named the “Lookouts” because there is a great mountain near Chattanooga called Lookout Mountain.  It’s the only really prominent thing in Chattanooga other than the famous choo-choo train, and no team of men wants to be called the “Choo-Choos” I guess.  We sat very close on the third base side of Lookout Stadium.  My dad told me to bring my glove in case there was a foul ball hit our way.  I was seven, but he was certain that I could catch the ball if it came near me.  He taught me to play ball before he taught my brother.  Bryan wasn’t very coordinated when he was a kid.  Dad thought that I was a prodigy.  Anyway, this was the first and last game my dad ever took us to, and it seemed like it was going to be perfect.  A few innings into the game I got the chance that I had been hoping for: a foul ball was hit my way, but it was coming too fast and I was not ready for it.  I was lost in the pink and blue fury of my cotton candy, and even though I did have my glove on, it was whizzing past my right ear and smacking the seat behind me before I could even move the mitt.  In a perfect world, I would have gotten that foul ball, but that is not how life goes.

Astros
With the McMinn County Astros – 1982

When I was nine and ten and eleven, I spent summers with my grandparents.  I remember the summer evenings that stretched out lazily into warm, dark Tennessee nights and the apparition of curtains that advanced and retreated eerily in the soft night breeze, carrying the sweet smell of crab apples and wet grass and wood and coal from the shed on the hill.  My Papa Odum, a Yankees fan, was a baseball nut.  He watched games all day, every day, whenever they were on, and when he went to bed at night, he listened to the games on the radio.  It is this ritual of listening that I remember most clearly, the way the game sounded on the old clock radio.  It’s the kind of clock radio with the flip numbers, the kind that growled instead of shrieking, the kind that clicked methodically.  The sound on the radio was never good; neither was the reception.  But Papa Odum always seemed to be able to find “the ballgame” no matter what.  The games were quiet and far away.  The announcers droned on over the restless buzzing of the fans: “Two outs now, and Mattingly to the plate with nobody on…he digs in and takes a called strike… 0 and 1 the count now on Mattingly in the top of the fourth….the Yankees trailing 3 to 1…”   The windows were always open at night, allowing for the most glorious concert of sounds – the baseball game, but not only that; the baseball game and my grandfather’s heavy sleep-breathing; the baseball game, and sleepy breathing, and creaking of the house, and the mad crickets and the whispering rain…

With its tragic ease, baseball is both dull and wonderful in its perfection; but it’s the imperfections that provide the real opportunities for humor and grace.  There is a poetic rhythm to baseball that no other sport can imitate, and this is precisely because baseball is about the so many things in-between, the so many lost moments.  Like the way that the crowd lulls in lethargy between pitches, between batters, between innings; like our mistakes of silence – things we don’t say, things we’ll never be able to say.

I love baseball because it reminds me to revere moments of imperfect life and preserve them in perfect memory.  For me, baseball is a day at the park with a favorite friend, sitting in the stands with a beer and a hot dog, Cal Ripken breaking the streak, cotton candy stuck to the pocket of my mitt, Mike Schmidt hitting his 500th home run, the foul ball that sails just past my head, Harry Carey calling the game for the Cubs, the organ music – out of tune, Sid Bream, with his leg brace on, sliding home to beat the tag and win the ALCS, the seventh inning stretch, the ground ball dribbling between Bill Buckner’s legs, and Kirk Gibson of the Dodgers hobbling into the batter’s box and hitting the ball clear out of the park in October of 1988 in the World Series.  Baseball is the great poem of my life, and baseball is still, for me, about remembered seasons of perfection; they are the stuff that dreams are made on, and so much more: the way that we remember the suddenly ubiquitous smell of grass, the first warm, long evenings, disappointment, childhood, fathers, brothers, and histories.

 © 2015 Ryna May